Recent Submissions

  • Science fiction theatre: The theatre of the future

    Callow, Christos Jr; University of Derby (Liverpool University Press, 2022)
    This is the first academic monograph on 21st century science fiction theatre.
  • Plas Newydd’s Poetics of Exchange: Portraiture, Poetry and the Intermediality of Eighteenth-Century Gift Culture

    Gowrley, Freya; University of Derby (Taylor and Francis, 2022)
    This article uses eighteenth-century correspondence and diurnal writing to unpack the complex networks of emotional, artistic, and poetic exchange that surrounded Plas Newydd, the home of the so-called “Ladies of Llangollen,” Sarah Ponsonby and Lady Eleanor Butler. It focuses on the gifting of a printed copy of George Romney’s painting Serena Reading (1782) given to the women by the poet Anna Seward, viewed by the trio as a portrait. Using an interdisciplinary and microhistorical approach, the article places the image within two contexts: firstly, within an intricate display of gifted portraits at Plas Newydd, and secondly, in relation to Seward’s poetry. In so doing, it argues for the centrality of the cultural, emotional, and intellectual process of exchange as a way for understanding the emotional life of the period. By focusing on the literary lives of this portrait-object, the article also demonstrates the necessity of an intermedial approach to eighteenth-century visual and material culture, highlighting the productive possibilities of using textual sources to consider long-lost artworks.
  • “This town is as full of enchantments as the White Cat’s Palace”: Whitby as a Locus for Writers’ Inspiration

    Derbyshire, Val; University of Derby (Daath Voyage, 2022-01-27)
    This article focuses upon the small North Yorkshire town of Whitby in Britain and analyses its prolific literary heritage. Most famous as the birthplace of Bram Stoker’s novel Dracula, recent research into the literary heritage of the area reveals that the town has proved an inspiration for a large number of texts across all literary genres. This paper focuses upon why Whitby is such a locus of inspiration for British writers. It analyses how often texts which claim a provenance to the town, link to other texts which make similar claims. This paper explores this intertextuality, how one story is entwined with another, implying that one Whitby text seems almost inevitably to lead to another. It also considers how the texts which come from the town tend to be outward looking, establishing links with other famous texts from the wider world.
  • 'Ephemeral are Gay Gulps of Laughter’: P. B. Shelley, Louis Macneice, and the Ambivalence of Laughter

    Davis, Amanda Blake; University of Sheffield (Oxford University Press (OUP), 2020-11-18)
    Ambivalence is the hallmark of Shelley’s poetry, but the ambivalence of Shelley’s often underappreciated wit remains a relatively uncharted area of critical exploration. The characterization of laughter as ‘heartless fiend’ – or ‘heartless friend’ – in Shelley’s sonnet ‘To Laughter’ underscores this very ambivalence while also spotlighting the sociality of laughter. Drawing upon the ancient Greek ambiguities of laughter as socially divisive and socially integrative, laughter in Shelley’s poetry vacillates between ostracizing bursts and harmonizing glee. This essay explores the ambivalence of Shelleyan laughter and its echo in the poetry of Louis MacNeice, prompted by the modern poet’s early interest in ‘a comparison of Shelley & Nietzsche & a deification of laughter’. MacNeice’s realist leanings remain coloured by Romantic predispositions throughout his career. With attention to Shelley and MacNeice’s Classical backgrounds, this essay reveals how Shelleyan laughter echoes throughout MacNeice’s poetry and, in its ambivalence, unveils the extent to which identity is unfixed for both poets.
  • Androgyny as Mental Revolution in Act 4 of Prometheus Unbound

    Davis, Amanda Blake; University of Sheffield (Informa UK Limited, 2020-10-28)
    Apart from in his translation of Plato’s Symposium as The Banquet, the word ‘androgyny’ does not appear within Shelley’s writings, but androgynous images are extant throughout his works. The androgynous union of Asia and Prometheus, the ungendering of Demogorgon, and the Earth and the Moon’s shifting gendered pronouns in Act 4 echo Shelley’s desire for ‘a future state of being’ wherein ‘these detestable distinctions [of male and female] will surely be abolished’. The Banquet is a catalyst for the lyrical drama’s composition, wherein androgyny becomes Shelley’s central strategy for inciting mental revolution in his audience of ideal readers. Shelley assumes the self-ordained role of Plato’s ideal reader through his creative translation of The Banquet, where the mental union of writer and translator radically expands androgyny as the traditional union of the masculine and the feminine to include the psychic union of the poet and the reader. Drawing upon the dialogic, dramatic form of Plato’s text, his subtle instruction of his reader, and his playfulness with gender, Shelley transmutes elements of The Banquet into verse in Prometheus Unbound in order to encourage a mental revolution in his own readership.
  • Spatial construction for ideational meaning: An analysis of interior design students’ multimodal projects

    Di Monte-Milner, Giovanna; Gill, Andrew; University of Derby; University of Johannesburg (Cumulus, 2021-09-28)
    Multimodality is an inter-disciplinary approach that considers communication to be more than just language. Multimodal studies focus mostly on the analysis of twodimensional printed, digital, and screen production. This paper explores a multimodal pedagogic approach used to teach students to create interior design projects as threedimensional ensembles, which we reflect upon to contribute to the framework of multimodality. This qualitative research begins with a review of multimodal discourse establishing language as a system of choice, and a relationship between spatial design and language. A case-study of students’ multimodal ensembles reveals how the design choices of mode, semiotic resource, modal affordance and inter-semiosis led to students producing rich and inclusive meaning, supporting a reproductive health mandate. An interpretive semiotic framework based on Hallidayan principles of Systemic-functional linguistics is developed for spatial meaning-making analysis for future projects. The findings offer a narrative metalanguage for spatial meaning-making, contributing to broader interior design discourse.
  • Towards ‘regenerative interior design’: exploring a student project

    Di Monte-Milner, Giovanna; University of Derby (Cumulus, 2021-09-28)
    Interior designers should design for regenerative systems in order to achieve advanced sustainability, beyond the current ‘neutral’ sustainable design approach. A broader and more positive regenerative design and development approach supports building social and natural capital within the new ecological paradigm. The interior design discipline has made little contribution to this agenda. This paper thus explores interior design strategies, which relate to regenerative design strategies, through a student project proactively implemented within the Interior Design department at the University of Derby, in an existing 3rd year module. A qualitative research design is used to analyse and code students’ proposals, using a constructivist, grounded theory approach. The results present ‘regenerative interior design strategies’. These varying strategies are used throughout the project, of which the most grounded tap into various social and environmental sustainability benefits. This can inform teaching about sustainability in interior design for a new ecological paradigm.
  • Evidence to the Parliamentary Inquiry on the Future of Journalism

    Conboy, Martin; Firmstone, Julie; Fox, Carl; Elliott-Harvey, Charlotte; Mulderrig, Jane; Saunders, Joe; Wragg, Paul; University of Derby (UK Parliament, 2020-04-30)
    Submission to the call for evidence to the House of Lords Select Committee on Communications and Digital: The future of Journalism.
  • Strange Affiliation

    Clegg, Matthew; University of Derby (Routledge, 2021-02-26)
    In considering a poetry of silence, this chapter asks how might poets empathise, or identify with the disenfranchised? How might they employ the technique of personae, or mask voice, to explore that identification, or give voice to the silenced? In Joseph Conrad’s story, ‘The Secret Sharer’ (1910), a sea captain feels a powerful affinity with a fugitive, often referring to him as his ‘double’ or ‘second self’. To what extent can poets also be ‘secret sharers’? How might this practice go beyond the limitations of conventional identity politics? In giving voice to the silenced, how can a poet avoid exploiting or misrepresenting their subject? Through empathy and identification with disenfranchised groups or individuals, can poets cross boundaries of gender, race or socio-economic grouping? An exploration of this perspective on the role and function of poetry expands on key aspects of process, poetics and technique as active challenges to repressive silence, to furnish a means of articulating what might otherwise remain unvoiced. This reveals how practical engagement with a particular writerly dilemma – the imperative to speak as if on behalf of another – reveals something deeper about the nature of poetry.
  • Cazique

    Clegg, Matthew; University of Derby (Longbarrow Press, 2018)
    Cazique is a book in three movements. ‘Officer’ / ‘Zipped File’ details the breakdown in communication between employee and employer. ‘Holodets’ tackles what is lost in translation during a love affair between an English poet and a Russian immigrant. The title sequence offers the last confessions of a washed-up confidence trickster: a man inspired by the 19th century swindler Gregor MacGregor – the self-titled Cazique of Poyais. These dramatic sequences move between the public and the private, negotiating seductive facades and authentic flaws. Like the world we live in, the characters presented are in thrall to truth, but unable to live entirely by its strictures. Corporate homogeneity, romantic love, and Satanic deceit all fail to deliver the land of milk and honey. The poems of Cazique are inhabited by individuals in different environments and predicaments, coping with different pressures. They continue the author’s engagement with personae and place – and the ever-unstable relationship between the two.
  • The Navigators

    Clegg, Matthew; University of Derby (Longbarrow Press, 2015)
    explores the portals that connect time and place, and meditates on the element of water, as it moves through both. The book opens with rain falling in the Lake District, flowing to the South Yorkshire waterways, before arriving at the North Sea. The poems triangulate mental journeys between past, present and projected future. They draw on the dynamic physical geography of Cumbria and the East Yorkshire coast and on the life (and afterlife) of the canals of Leeds and Mexborough. The personal and historical ghosts that populate these landscapes are invoked or addressed. Versions of Apollonius, Aristophanes and Homer introduce an extra-temporal dimension, most apparent in the closing sequence of the collection, where these mythical, personal and historical threads are finally woven into one fugue-like movement. The Navigators is an affirmation of the reflection and regeneration that we find where waters meet and mingle; these literal and metaphorical thresholds offer both expedition and epiphany.
  • The Roaring Ghosts: Depictions of female silence and its oppositions

    McCrory, Moy; University of Derby (Routledge, 2021-02-26)
  • Introduction: On Silence in Language and Writing

    McCrory, Moy; Heywood, Simon; University of Derby (Routledge, 2021-02-26)
  • Silence and the Short Story Form

    McCrory, Moy; University of Derby (Routledge, 2021-02-26)
  • Strategies of Silence Reflections on the Practice and Pedagogy of Creative Writing

    McCrory, Moy; Heywood, Simon; University of Derby (Routledge, 2021-02-26)
    This unique book takes silence as its central concept and questions the range of meanings and values which inform the idea as it impinges on the creative process and its content and contexts. The thematic core of silence allows a consideration of silencing and silence as opposite ends of a spectrum: one shutting down, the other enabling and opening up. As a multidisciplinary collection of essays derived from the teaching and implementation of Creative Writing at university level, the contributors consider silence as strategic, both through the need for silence and as something which compels resistance. They explore how writing has employed images and tropes of silence in the past, and used silence and gaps technically. In considering marginalised and forgotten voices, this book shows how writers bring their diverse range of backgrounds and experience to work with and against silence in Creative Writing Studies. The first theoretical work on silence in Creative Writing, this field-shifting book is an essential read for both practitioners and students of Creative Writing at the higher education level.
  • Where Have All the Stories and Voices Gone in Local Newspapers? The Effect Falling Advertising Revenues and the Rise of the Web Have Had on English Regional Newspapers

    Bowyer, Richard; University of Derby (Athens Institute for Education and Research, 2021-10-07)
    The regional newspaper industry in the UK is in freefall with sales down more than 60 percent in 10 years. With this decline has come cost-cutting. This study looks at how these cuts have manifested themselves in terms of the number of news stories now being printed in newspapers and the number of local people being quoted in the newspapers. The study has looked at a number of regional newspapers across 30 years to show the effect of the changing face of the newspaper business as the audience and advertising have moved online. The research includes interviews with experts on whether story count mattered and if fewer stories and local voices have damaged the product. This paper finds that generally newspaper companies with a web-first culture have been forced to reduce their local news content in their printed products as they concentrate their resources online. While fewer stories and voices cannot be blamed for the complete demise of the newspapers, it is a consequence of cost-cutting and disadvantages the product. Opinions do vary on the needs for high story count, but this paper shows that most experts believe it is important and that without it, printed newspapers have been damaged.
  • Cover price rises of regional newspapers accentuated decline in sales as digital media grew between 2006-2016

    Bowyer, Richard; University of Derby (Association for Journalism Education, 2020-07-29)
    The decline in the regional press traditional wisdom asserts has been firmly placed at the foot of the rise in the number of people moving from newspapers and reading news online for free. While this is not disputed, this paper will show that cover price increases have in recent years been higher than in previous years and that a correlation exists between these larger than usual increases in cover price and the acceleration of decline in newspaper sales. The findings indicate that a vicious circle has been created in which budget shortfalls have prompted higher and faster price rises, which have driven down sales, leading to further shortfalls as falling circulation also leads to falling advertising revenue. Historically, newspapers put their cover price up by 1p to 3p a year or held the price in an attempt to keep sales high, an obsession of regional newspapers. For example, the Sheffield Star cost 32p in 2000 and did not increase in cost until 2005. In 2011, with the battle to keep readers a lost cause, regional newspapers decided to use cover price to help finance its business and the same newspaper which cost 47p rose in price to 60p by 2012, a percentage rise of 28.2 per cent. The smaller increases often led to a sales decline, but the policy of bigger cover price increases had a far greater detrimental effect on sales, accentuating a larger decline in sales than previously experienced. Using data from the Audit Bureau of Circulation (ABC), this paper maps the increasing price rises to the increase in declining sales.
  • A common language and shared understanding?: Corpus approaches in support of system responses to family violence

    Penry Williams, Cara; Stebbins, Tonya N.; University of Derby; La Trobe University, Victoria, Australia (Edinburgh University Press, 2023)
    Family violence is an enduring social problem with devastating impacts. The Victorian Government (Australia) Royal Commission (state inquiry) into Family Violence (RCFV) noted that language is implicated in underreporting and under-recording of violence and emphasised the importance of agencies having ‘a common language’ and ‘shared understanding’ of family violence. Our analyses examine written submissions to the RCFV for frequencies and collocations, focussed on the construction and roles of human referents. We utilised corpus assisted discourse analysis to explore if community service and law-based professional bodies do have common vocabularies and if these represent shared ideas, responding directly to agendas set by those involved. Analyses show key differences but also undercover a shared lack of agency given to victims and a loss of focus on the role of those who inflict these forms of violence. We argue for the utility of corpus linguistic methods to empirically show how language is used to construct conceptualisations of family violence across key sectors of the service system. We intend this research as a starting point for discussion between professionals working to improve cross-sector communication, by bringing linguistic insights to this deep-rooted social issue.
  • Discovering intercultural communication: From language users to language use

    Kim, Hyejeong; Penry Williams, Cara; University of Melbourne, Australia; University of Derby; La Trobe University, Australia (Palgrave Macmillan / Springer, 2021-12-26)
    This textbook provides a succinct, contemporary introduction to intercultural communication with a focus on actual language use. With English as a lingua franca and Communicative Accommodation Theory as the underpinning concepts, it explores communication, language use, and culture in action. Each chapter includes discourse extracts so that students can apply what they have learned to real text examples, and supplementary instructor materials including suggestions for discussion points and activities are hosted on springer.com. The book will be key reading for students taking modules on Intercultural Communication or Language, Culture and Communication as part of a degree in Linguistics and Applied Linguistics, or English Language both at undergraduate and postgraduate level.
  • Curating the Canon: Editorial Decision-Making, Bias and Privilege in Publishing

    Barker, David; University of Derby (Lectito Journals, 2021-07-31)
    In September 2003, the independent publishing house Continuum launched a book series under the banner of “33 1/3”. These were, in the publisher's own promotional literature, “short books about classic albums”. But who decides what constitutes a classic album, and who decides which authors should write such books? Using an autoethnographic approach to analyse the curatorial thinking and strategy behind this book series, and through close analysis of the online discourse around it, the article innovates by exploring the commercial and curatorial practice of one publishing imprint in the first decade of the 2000s. By focusing closely on the work of one editor and drawing on primary data concerning book proposals that were accepted or rejected as well as reader reactions to those decisions, I illustrate how decisions are made and how editorial bias might impact the authorial voices that publishers choose to amplify. Finally, the article examines curatorial practice in publishing in light of more recent discussions of inequalities and imbalances of power (along both gender and ethnic lines) in the industry.

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